The Commentator
Volume 62 Issue 4



L.A. Confidential

For those of you who only enjoy watching the best of the best, this one is it. I can guarantee, based on the mutual opinions of a majority of critics, that nominations for best picture and director, along with numerous acting nominations, are not out of i ts reach.


“Stomp” had the potential of being a good full length play; it just needed characters. I wanted to see stomping with personality. Personality instills flavor into whatever is being done, even if it is banging tubes on the floor. Interesting characterizati on would have created the intrigue necessary to carry the show for two hours.

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